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・ Auditory learning
・ Auditory masking
・ Auditory meatus
・ Auditory moving-window
・ Auditory neuropathy
・ Auditory neuropathy spectrum disorder
・ Auditory phonetics
・ Auditory processing disorder
・ Auditory scene analysis
・ Auditory spatial attention
・ Auditory system
・ Auditory verbal agnosia
・ Auditory Verbal UK
・ Auditory-verbal therapy
・ Audium
Audium (theater)
・ Audius Mtawarira
・ Audiveris
・ AUDIX
・ Audjassaare
・ Audla
・ Audlem
・ Audlem Baptist Church
・ Audlem railway station
・ Audley
・ Audley (surname)
・ Audley and Bignall End (ward)
・ Audley and Bignall End railway station
・ Audley Archdall
・ Audley Bowdler


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Audium (theater) : ウィキペディア英語版
Audium (theater)

Audium is a sound art event that has been presented weekly in San Francisco since 1967. Audium is a creation of composer Stan Shaff that is performed on original equipment designed by Doug McEachern. It is played in a completely dark theater designed to heighten the spatial effects of sound and for "choreographing sound in space." 〔(【引用サイトリンク】title= Biography )〕 Compositions are developed from acoustic and electronic instruments and from sounds of the natural world used as metaphors. Works are "sculpted" in space through 176 speakers.
==Early development==
The concepts gradually refined in Audium began with Shaff and McEachern's experimental electronic music performances in the late 1950s and early 1960s. In 1959, Stan Shaff met fellow musician and teacher Douglas McEachern, whose background in electronics enabled him to develop original equipment systems for live, spatial performances.〔 Prior to Audium, Shaff and McEachern worked with Anna Halprin's Dancer's Workshop and Shaff worked with Seymour Locks, an artist and the originator of the overhead projected light show later used widely at rock concerts in the 1960s. Shaff was also associated with the Tape Music Center in San Francisco. Early presentations were done at University of California Extension (1960), San Francisco State College (1962) and San Francisco Museum of Art (1963, 1964). These early performances were done with "portable systems" that had about 8 to 16 speakers.〔〔(【引用サイトリンク】title=History )

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